Biography
Born in New York on 8th
July 1947, Gerard is the "Son Of A Song And Dance
Man". He showed a prodigious talent at the piano,
making his public debut at the age of six, accompanying his
father, Vincent Kenny, on stage at St. Boniface Church
Hall, Glen Cove, Long Island, playing the beautiful
standard "Where Or When". The early tutoring from
his father, combined with the powerful influences of the
60’s musical explosion, produced his unique style, mixing
vaudeville with contemporary sounds. From high school
onwards, Gerard had a series of bands, including one with
Billy Joel. Teaching music, he played his way through
Hofstra University, where he majored in Music & TV
Communications. The piano bars around Greenwich
Village provided a rich training ground for Gerard during
the early 70’s, leading to a song-writing partnership with
New York lyricist Drey Shepperd which continues to this
day. Among their many memorable collaborations, probaby the
best known is the inspirational "I Made it Through The
Rain" which became an international hit for Barry
Manilow, 1977 saw Gerard’s career taking a different
direction, when he travelled to Europe to appear for seven
months at the "Pappagayo Club" in St. Tropez.
Visiting England en route back to the States, a fortuitous
invitation to a birthday party for Dennis Waterman resulted
in his meeting with Deke Arlon, who, recognising Gerard’s
talent, took on his management and a recording contract
with RCA was soon signed. Several chart successes followed,
including, in 1978, the song that’s virtually become his
theme tune, "New York, New York (So Good They Named It
Twice)", which he performed on "Top Of The
Pops". Another hit, "Fantasy", charted twice
in one year, 1980. Naturally, Gerard’s song-writing
talents didn’t go unnoticed, and before long his songs were
being recorded by other such high profile artistes as Perry
Como, Johnny Mathis, Shirley Bassey, Sacha Distel, James
Last, Jack Jones and Marion Montgomery. 1981 brought
Gerard the Ivor Novello Award for the Best Television Theme
Music for his song "I Could Be So Good For You"
written with Dennis Waterman and used for the TV series
"Minder".
Throughout his career, Gerard has
toured extensively, right across the USA and world-wide
with Chuck Berry, Sheena Easton, The Pointer Sisters,
Dionne Warwick and Connie Francis. He spent two
years as Spike Milligan’s Musical Director, for his show
"Spike Milligan & Friends", taking the show
from London’s West End onto a tour of Australia, which
cemented a firm friendship between the two. In 1983 Gerard
was Barry Manilow’s Special Guest at the spectacular
concert at Blenheim Palace, Oxfordshire, where he played to
a crowd of more than 40,000. This was followed later that
year by a BBC Television Special at The Theatre Royal,
Drury Lane, entitled "Gerard Kenny In Concert",
before an audience of more than 3,000. That same year
also brought Gerard together with someone he credits with
teaching him an enormous amount about song-writing - Alan
Jay Lerner. Alan was looking for a composer with whom to
collaborate in writing a musical version of "My Man
Godfrey", based on the 1930’s film starring Carole
Lombard and William Powell. Gerard’s instinctive feel for
the 30’s music made him Alan’s obvious choice, and they
wrote several wonderful songs for the show. Sadly, Alan
died with the project still incomplete. During their
period of working together, Alan and Gerard were
commissioned to write a special lullaby for Prince Harry,
with the proceeds going to Princess Diana’s charity
"Birthright". The song "Brocades And
Coronets" was performed by Elaine Paige, accompanied
by Gerard, at a Royal Gala for Princess Diana at the London
Palladium in June 1987.
In addition to writing with Alan,
Gerard has also collaborated with many other talented
lyricists such as Don Black, Barry Mason and Ned Sherrin
. In the late 80’s, Gerard returned to New York to
work on various musical projects with Drey Shepperd and
perform in cabaret in New York, Atlantic City and Long
Island. However, by the 1990’s Gerard was once more in
England, where, in addition to taking his show, accompanied
by a 4 piece band, around theatres throughout the UK, he
made a powerful impact on two of the major cabaret venues
in London: In December 1994 Gerard’s first two week season at
the Green Room at the Café Royal in London’s Regent Street
proved so popular that he was invited back for three
further seasons, until the closure of the Green Room in
early 1999 prevented any further performances
there. ‘The Pizza On The Park’ is an intimate jazz club
in London’s Knightsbridge, offering the perfect setting for
Gerard’s special brand of show. From his first two week
season in 1992, his appearances there remain an annual
highlight of the London music scene. Tony Patrick of The
Times, reviewing Gerard’s 1996 ‘Pizza On The Park’ shows,
observed that the club was "dazzlingly illuminated by his exuberance and
sheer joy in performing……a musician whose bright and breezy
persona may sometimes obscure his real depth and
worth" By a strange quirk of fate, Gerard
was in the middle of his two weeks at ‘The Pizza on The
Park’ in 2001 when the devastating events of September
11th occurred. Professional as ever, he went on
stage each night as scheduled, and produced the most
remarkable performances, including on the evening of the
11th itself, despite what must have been his own
extremely powerful emotions regarding the huge tragedy in
his home town. As Peter Leavy wrote in the USA magazine
‘Cabaret’: "he achieved that most extraordinary gift of
his art: the ability to transcend a crushing reality of the
moment and lift the spirits of his audience for a
wonderfully pleasurable few hours." In addition to
his very active performing career, over the past 5 years
Gerard has been involved in several major song-writing
projects with Drey Shepperd, principally the two musicals
given below. Such is Gerard’s versatility that, though
perhaps more known for his deeply emotional ballads, he can
as easily turn his hand to writing funky rock songs and,
indeed, comedy. Here Drey Shepperd’s witty and inventive
lyrics come into their own, and Gerard never fails to match
them with the most superbly crafted tunes.
ONE MORE
TURN
A musical inspired by "Dancers Over Forty", an organisation
representing the interests of older dancers who can no longer get
professional dancing work once they reach a certain age. The
organisation is supported by some of world’s best known and loved
dancers, such as Chita Rivera and the late Bob Fosse. There has been
considerable interest in this show on both sides of the Atlantic, and
hopefully it won't be too long before we see it going into production.
BEACH RADIO
A musical comedy focusing on a group of high school graduates, enjoying
their "gap summer" before entering college: it explores their
exploits and their relationships. Funny, poignant, racy, exuberant -
the show swept 3 Awards at the Vivian Ellis New Musicals Showcase at
the London Palladium in September 1999, and was the outright winner of
the top award for Most Promising New Musical. ‘Beach Radio’ was
performed at Cap 21 Theater in New York during October/November 2002.
May 2005 saw Gerard's first ever appearance at legendary Ronnie Scott's
Jazz Club in London. Backed by the superb double bass of Pete Morgan,
formerly of the Dudley Moore Trio, and drummer extraordinaire Andy
McBride, Gerard performed a knock-out two sets, leaving the sold out
audience positively bouncing in their seats - the joint was definitely
jumpin'!!
February 2006 saw Gerard back on the theatre circuit, with a week long
tour, taking in, among others, The Stables, Milton Keynes and
culminating in a rapturously received show at The Floral Pavilion, New
Brighton, after a 10 year absence! He definitely won't be leaving it
that long to return!
Today, Gerard continues to enthrall audiences everywhere with his warm
and charismatic performances, encompassing his own compositions and
also the lovely standards of Cole Porter, Gershwin etc the kind of
music so close to his heart. His love of the music that was born in him
is evident with every note he joyously plays and every word he
passionately sings. As Gerard himself says: "Once I discovered the
piano, that was it. It takes a lifetime to really get to know
‘her’. ‘She’s’ the ultimate mistress. I can’t resist
‘her’!" A consummate professional, with his piano playing
second to none, Gerard gives his heart and soul in every performance.
email: rosie@gerardkenny.co.uk